“Hir” at Odyssey Theatre Ensemble
The term “kitchen sink drama,” meaning the gritty, British, working class plays of the late 1950s and early 1960s, could easily be applied to Taylor Mac’s extraordinary black comedy free-for-all, Hir. The term hir “is a gender-neutral, third-person singular object pronoun that replaces the use of him or her,” which points to the gender-bending confusion … Continue reading “Hir” at Odyssey Theatre Ensemble
Paul Myrvold's Theatre Notes 